La escritura poética y sus soportes en la década de los noventa

Abstract

The present article aims to reflect on the links between poetic writing and its formats in the 90s. For that purpose, we will critically examine a series of works included in the catalogs of two independent publishing houses specialized in Argentinean poetry –Ediciones Deldiego y Vox– in order to deconstruct and analyze the figurations of poetic writing with relation to the inscription surfaces that appear in the context of these projects