Ariel Williams, el escriturador magnánimo

Abstract

This article suggests a critical reading on the contemporary Patagonian writer Ariel Williams. It reflects on his work through the language present in his texts, and the creation of his own literary language. It points out a new relationship with genres which show a link between discursive and literary genres and gender theory, since he breaks the rules of language for representation of gender (masculine/feminine).
To conclude, it analyses a diverse representation of popular culture through which the author takes marginal texts for his literary production.