Imágenes de la edición border y sudaca: el entre-catálogos de Eloí­sa Cartonera

Abstract

This article analyzes the literary corpus in which a number of images from Argentine publisher Eloisa Cartonera's "sudaca" and "border" editions are produced. In particular, it examines how the autobiographies of independent, alternative and self-managed publishers discuss specific modes of organization and association vis-í -vis the emergence of multinational publishing companies. The temporality contained in these images allows us to examine some of the tensions, movements, displacements, and crystallizations produced in their movements towards self-organization, affiliation and disaffiliation.