El libro como performance

Abstract

The poetry community Estación Pringles carries out an intriguing dialogue with the book format. On the one hand, its performative approach to poetry would seem to exclude the possibility of seeing this medium as a model for the project. Nevertheless, in its dialogue with the poetic lineage begun by Stéphane Mallarmé, this artistic initiative proposes a concept of the book as performance. This orientation is evident, besides, in the print products of Estación Pringles.