Borges y sus editores: itinerarios de <i>Fervor de Buenos Aires</i> (1923-1977)

Abstract

In the context of studies on the relationship between publishers and writers (Undsel 2004), this paper approaches a singular case: Fervor de Buenos Aires, the inaugural book of poems by Jorge Luis Borges. First published in 1923, it was reissued in various forms and by diverse publishers. Each different edition presents a complex system of corrections and erasures. In this article we focus on the study of its editorial itinerary, in which such system of corrections and erasures is materialized.